Cliff$96804$ - ορισμός. Τι είναι το Cliff$96804$
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Τι (ποιος) είναι Cliff$96804$ - ορισμός

AMERICAN NOVELIST, SHORT STORY WRITER, CRITIC
Michele Cliff; Cliff, Michelle

Cliff dwelling         
  • Cavates and pathways in soft [[tuff]] at [[Tsankawi]], New Mexico
STYLE OF HOUSE
Cliff Dwelling; Cliff Dweller; Cliff-Dwellings; Cavate; Cliff-dwelling; Cliff dwellings
In archaeology, cliff dwellings are dwellings formed by using niches or caves in high cliffs, and sometimes with excavation or additions in the way of masonry.
Michelle Cliff         
Michelle Carla Cliff (2 November 1946 – 12 June 2016) was a Jamaican-American author whose notable works included Abeng (1985), No Telephone to Heaven (1987), and Free Enterprise (2004).
Cliff Street, Fremantle         
STREET IN FREMANTLE, WESTERN AUSTRALIA
Cliff Street
Cliff Street is a street in Fremantle, Western Australia. It is the furthest west cross street on High Street, running parallel to Mouat Street.

Βικιπαίδεια

Michelle Cliff

Michelle Carla Cliff (2 November 1946 – 12 June 2016) was a Jamaican-American author whose notable works included Abeng (1985), No Telephone to Heaven (1987), and Free Enterprise (2004).

In addition to novels, Cliff also wrote short stories, prose poems and works of literary criticism. Her works explore the various complex identity problems that stem from the experience of post-colonialism, as well as the difficulty of establishing an authentic individual identity in the face of race and gender constructs. A historical revisionist, many of Cliff's works seek to advance an alternative view of history against established mainstream narratives. She often referenced her writing as an act of defiance—a way to reclaim a voice and build a narrative in order to speak out against the unspeakable by tackling issues of sex and race.

Identifying as biracial and bisexual, Cliff, who had both Jamaican and American citizenship, used her voice to create a body of work filled with prose poetry, novels, and short stories. Her writings were enriched by the power, privilege and pain of her multi-locatedness to creatively reimagine Caribbean identity.